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I hope you enjoyed the thrilling rise of the Hongwu Emperor as related in yesterday’s post.  In accordance with the wishes of the editors who commissioned it, I left out the truly important parts—namely, how the Hongwu Emperor organized the Ming dynasty around Confucianist precepts, cunning agrarian reform, and above all—naked absolutism.  I also left out the terrible end of Zhu Yuanzhe’s story arc: for the skills and guile which allowed the Hongwu Emperor to seize absolute power had a terrible shadow side. As an old man, he was seized by dreadful paranoia and employed vast armies of secret police, informers, and torturers to root out the imaginary plots which flowered on all sides of him.  Hongwu killed hundreds of thousands of people by means of the most inventive and horrible tortures.  Despite his astonishing feats, and despite the prosperity he brought to China, his name is permanently blackened by the depths of his cruelty (although Mao admired him).

It almost makes you wonder if leaders aren’t inherently flawed somehow: as though there is some fundamental problem with putting self-interested individuals in charge of our collective destiny.

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But today’s post is not about leadership; it is about beautiful & delicate Chinese porcelain! It would be unthinkable to have a Ming Week which didn’t feature a fine Ming vase.  Here is a Ming dynasty vessel from the Jiajing reign (1522-1566).  The Jiajing emperor was a weakling and a fool who devoutly believed in all sorts of portent, rituals, astrology, and mystical claptrap.  His courtiers and eunuchs used this to control him while they robbed the Empire to the brink of disaster.  Infrastructure was neglected.  Crooked courtiers ground the peasants down into crippling destitution. The social fabric unwound.

But what did the rich and powerful care when they lived in an era of such luxury? Porcelain of the Jiajing reign is particularly whimsical and otherworldly.  This vase shows the “three friends” pine, bamboo, and plum growing together as emblems of wealth, happiness, and longevity.  Each plant is twisted into an otherworldly logogram–a “shou” symbol.  Here the plum blossoms forth out of a splendid stylized rock covered in lichen.

Look at the decorative elements! The waves, the scrolls, and the mystical vegetation which surround the three central plants all began as naturalistic forms—but by the time of the Jiajing era they have been transmuted into ethereal blue beauty.  And yet the original forms are still there as well.  It is hard to describe what gives this little ovoid vase its winsome charm, but the aesthetic effect is undeniable.

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In 1344, disaster struck the populous agricultural lands between the Huai and Yangtze Rivers in China. Crops not withered by drought were devoured by locust swarms.  Plague stalked the starving masses.  Among the many victims of the catastrophe were the Zhu family, destitute peasant farmers who had already given away the majority of their children to adoption or concubinage. Father, mother, and eldest son died of plague, leaving their teenage son Zhu Yuanzhang penniless, starving, and surrounded by the decaying bodies of his family.  He begged the landlord for a small burial plot but was angrily rebuffed; only with help from a kindly neighbor was he able to dress his dead kin in rags and inter them in a shallow grave.  It was a miserable start to what was arguably the most meteoric social climb in history.

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With a long chin and pocked face, Zhu Yuanzhang was regarded as exceptionally ugly.  As a newborn he was unable to eat and nearly died. His father had promised Zhu to the Buddhist monastery at Huangjue should the baby somehow survive.  When his family perished, sixteen year old Zhu remembered this promise (and possible source of livelihood) and set out to take up a monk’s life.  Yet drought meant that there were not enough rations for new novices: the monks gave Zhu a bamboo hat and an earthenware bowl and sent him off to wander China as a beggar.

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It was a time of tumult. A century earlier the Mongols had conquered all of China and installed themselves as a supreme caste atop the ancient culture, however, by the mid 14th century, Mongol hegemony was coming undone due to factional political quarrels. As the last Mongol emperor fretted in his palace in Dadu (Beijing), rebels and bandits sprang up everywhere.  Through this broken land, Zhu wandered as a mendicant. He slept in outbuildings and ate scraps or lived rough and hungry in the wilderness. However during these ragged years he also began to make friends among the “Red Turbans,” a diverse network of rebels who identified themselves with red banners and headwear.

These Red Turbans had started out as a network of secret societies based on religious concepts imported along the Silk Road from Western Asia. They were incorporated into a larger messianic anti-Mongol movement by Monk Peng, a firebrand rebel who won many ordinary farmers and workmen to his cause before being captured and killed.  Ostensibly the Red Turbans sought to reestablish the Song dynasty (which had ruled before the Mongols) and they hung their hopes on the putative last heir to the Song, Han Shantong, the “little prince of radiance”.  In reality, the movement’s identity and aims were a front for several different factions vying for power not just with the Mongols and grasping warlords, but with each other.

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Red Turban warrior fighting a Mongol.

Zhu made friends with some northern Red Turban sympathizers before he returned to the monastery to become literate, but the government (perhaps not unreasonably) feared that the monks were consorting with rebels and burned the temple.  At the age of 24, Zhu Yuanzhang left monastic life and joined the Red Turbans with the not-very-exalted rank of corporal, yet the rebel army offered unparalleled opportunity for advancement.

One of the leaders of the Red Turbans was a grandee named Guo Zixing. Guo’s father had been a fortune-teller (i.e. a con-artist) who had married the blind and not-very-marriageable daughter of a landlord and then shrewdly used the resultant dowry to build a fortune. Guo recognized similar potential in Zhu—the ugly ex-monk was not only relentless and brave in battle, but also had a knack for judging men and convincing them to follow him.  Guo acted as Zhu’s patron and helped the young man take command of larger and larger groups of rebels.  While Guo’s actual sons died of war and ill fortune,  Zhu wisely married Guo’s adopted daughter and became the second in command of their faction. When Guo himself perished, Zhu, the former peasant, became general.  Zhu’s ever expanding army twice assaulted Nanjing, cultural and economic center of southern China, and the second time they successfully took the city.

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Once Zhu captured Nanjing, victory followed victory thanks to his political wiles and administrative prowess. He forbade his men from taking plunder and sternly enforced standards of good conduct. This adherence to Confucian principles made him more popular than other upstart warlords, whom he and his generals defeated one by one. Zhu’s greatest problem during this period of ascendency was how to leave behind the Red Turban movement without losing his own followers.  Although it had provided him with a ladder to national power, his affiliation with the red Turbans was preventing China’s elite literati and aristocrats from supporting him.

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Additionally, Zhu’s most powerful military competitor was Chen Youliang, leader of the multitudinous Red Turban faction in the west.  Their conflict came to a climax in 1363 with a thrilling battle on Lake Poyang, China’s largest lake.  Zhu Yuangzhang’s smaller fleet utilized fireships, gunpowder explosives, trebuchets, and boarding tactics against Chen Youliang’s fort-like tower ships. The battle was the largest navy battle in history and lasted for over a month but ended with Chen’s death and a resounding victory for Zhu, who thereafter ceased to participate directly in fighting. The only figure left who could pit the Red Turbans against Zhu Yuangzhang was Han Shantong, the “little prince of radiance,” pretender to the Song throne who drowned in highly suspicious circumstances when he was under Zhu’s care in 1366 (which allowed Zhu to officially denounce the violence and mayhem of the Red Turbans).

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By 1367, through force of arms, Zhu Yuangzhang had defeated all other likely contenders for the throne. The last Yuan emperor fled north and Badu fell in 1368.  Zhu Yuanzhang, son of the lowest peasants, assumed the mandate of heaven and proclaimed himself the Hongwu Emperor—first emperor of the Ming dynasty, the longest lasting and most stable dynasty in Chinese history.  The Ming dynasty was one of the high-water marks of Chinese society. Not only was the dynasty known for military conquest, agricultural innovation, and artistic greatness, but in the early 15th century it was at the forefront of science and exploration. Vast Ming fleets comprised of 400-foot long sailing junks explored as far as India, and Africa. Had Zhu Yuangzhang’s empire kept its initial impetus, who can say what would have happened?  As it is, the spirit of his reforms long outlived the Ming dynasty and remains an integral part of Chinese statecraft.

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The Mausoleum of Zhu Yuanzhang in Contemporary Nanking

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