Statue of Decebalus (completed 2004, carved stone)

Statue of Decebalus (completed 2004, carved stone)

It’s possible that I made a few economic missteps over the years (although, judging by the news, I am not the only one) and, as a consequence, I won’t be spending this August traveling the world. However, even if I am literally trapped in angry sweltering New York, my mind is free to roam the rugged Carpathians and take in the robust forested splendor of Romania. This land was long known as Transylvania (the “crossing forest”) and the modern world has not changed the wooded character of the land. I started to do some research online and in my virtual travels I was stunned to come upon this colossal stone head carved in the living rock of Dacia. This is a carving of Decebalus a king who ruled from 87 AD – 106 AD. Decebalus was a client king of Rome, one of the many annoying and interesting minor sovereigns whom the empire propped up around its borders to act as buffers. Much of Roman history concerns their perennial struggles with these vexatious vassals and the history of Decebalus is no different. Indeed he ended up being the last king of Dacia. His cleverness and pride went too far and Rome crushed him like a bug and absorbed Dacia.

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This statue however is presumably meant to evoke Decebalus’ pride and independence (not his defeat and suicide). The head is 40 meters tall (120 feet)—it may be the largest monumental head in Europe. It was crafted by a team of 12 sculptors over 10 years at the behest of an eccentric Romanian businessman, Constantin Drăgan (1917-2008). The statue was completed in 2004 and stares balefully out over the Danube. I love Decebalus’ stony features—which seem little different from an actual rock. I am also predictably impressed at the way the natural rock looks like a crown. Dragan had some curious nationalistic misconceptions about Dacia’s place in history, and it seems this great head was meant to explain/popularize some of the millionaire’s ideas.  As often happens with art, the actual work is more ambiguous and interesting…hinting at both greatness and ruin.

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