I have been thinking a great deal about beautiful & meaningful allegorical paintings (indeed, you can go to this gallery of my own art and look at the strange seething world of symbolic paintings I have been creating under “Allegories”). Here is a very lovely painting from the nineteenth century American master Thomas Cole. This is a study for “The Voyage of Life: Childhood” the first painting of his magnum opus “The Voyage of Life,” a series of four huge paintings which portray a human life as a river running through the four seasons (I have put the relevant detail from the finished painting at the bottom of this post, but, for reasons unknown, I like the study better)
This is the beginning of life—an angel is launching an infant out of celestial darkness into the world. The little child is frolicking in delight among a fulsome bouquet of spring flowers little aware of the waterfalls, rapids, and sluggish poisonous bends which lie along the great river. What the painting lacks in symbolic subtly it makes up for with its boundless energy, personality, and immediate glowing exuberance.
Cole was not a pessimist—he viewed life as a dazzling sojourn of pellucid joy. This is a view which has fallen out of fashion in art (and maybe in larger realms of thought and endeavor), but the jubilant baby in this picture and the tender solicitous angel from suggests that we might want to revisit Cole’s worldview.