April is poetry month and poetry month is coming to an end.  What better way to celebrate than with a modern poem about flowers…and what blossom could be more renowned in poetry and art than the rose?  I was worried that nobody enjoyed the previous poetry month entry (four interconnected erotic poems by Elizabethan luminary Edmund Spenser) so I asked my roommate, the gifted poet Katie Fowley to name the first poem about flowers she could think of.  Her answer was “The Rose is Obsolete” a poem by William Carlos Williams from his 1923 book Spring and All.  The poem does not utilize the rose in the obvious metaphorical contexts which are familiar from the dawn of writing (perhaps Mr. Williams saw such symbolism as obsolete).  Instead it is a poem about universal thresholds–the liminal transition between the rose and the rest of the universe.   The poem thus has a mathematical sensibility to it–as though it transcends contemplation of things which exist in order to concentrate on higher categories of being.  The reader is thus rapidly transported from the rose–real, sensual, and mundane–to abstract realms of calculus and ontology.  Cosmological truths beckon from the rose’s fractal edge as the physical rose is left behind. I think however you will agree that the poem strikes a wistful note for the obsolete rose.  The reader must decide for themselves what has been left behind–and just where humankind’s new sophistication at cosmological apprehension is leading.

[The poem does not have a title in the original printing so it just starts after the picture]

Supernova Fragments (NASA 2011)

The rose is obsolete
but each petal ends in
an edge, the double facet
cementing the grooved
columns of air–The edge
cuts without cutting
meets–nothing–renews
itself in metal or porcelain–

whither? It ends–

But if it ends
the start is begun
so that to engage roses
becomes a geometry–

Sharper, neater, more cutting
figured in majolica–
the broken plate
glazed with a rose

Somewhere the sense
makes copper roses
steel roses–

The rose carried weight of love
but love is at an end–of roses

It is at the edge of the
petal that love waits

Crisp, worked to defeat
laboredness–fragile
plucked, moist, half-raised
cold, precise, touching

What

The place between the petal’s
edge and the

From the petal’s edge a line starts
that being of steel
infinitely fine, infinitely
rigid penetrates
the Milky Way
without contact–lifting
from it–neither hanging
nor pushing–

The fragility of the flower
unbruised
penetrates space

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