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A citizen interacts with "Catfish Rodeo" (Francis Moxley Zinder, and Susan Elizabeth Breining, 2003, mixed media sculpture)
In October 2003 the city of Nashville Tennessee decided to celebrate National Catfish Month (August) by asking local artists and craftspeople to make 51 catfish sculptures which were positioned around the city. The sculptures went on display in June and were auctioned off in October. Sponsored by the Cumberland River Compact, Greenways for Nashville, and the Parthenon Patrons Foundation, the show was meant to raise awareness concerning water quality in the Cumberland River.
Catfish are a major theme here at Ferrebeekeeper and I am delighted at the extent to which “Catfish out of Water” captured the amazing variety and hardiness of the Siluriformes. The name even evokes the amazing ability of the walking catfish to survive out of water (although that formidable invasive fish has fortunately not made it to Tennessee). I have only put in photos of a tiny number of the original sculptures here in order to encourage you to visit the complete gallery of catfish sculptures lovingly photographed by Jan Duke and carefully displayed and enumerated at About.com.

Herring: A Tribute to Keith Haring (Dennis Greenwell, 2003, mixed media sculpture) photo by Jan Duke
Hooray for catfish! May the Cumberland River always run clean and pure (except maybe for some tasty rotting food scraps for the bewhiskered critters to snack on).
Today is the first day of the Chinese New Year! Happy Lunar New Year to everyone! It’s time for dumplings and fireworks! This is the year of the Water Dragon—an auspicious year (if astrologers are to be believed). Since being born in the year of the dragon is regarded as fortunate, Chinese demographers are projecting a larger than normal number of births this year. If you are looking to have children maybe you should hold off on the partying and go work on that right now.
The dragon is the de facto symbol of China (and has been so for a long, long time). The mythical creatures appear everywhere in art, architecture, clothing, advertising, and even drawn indelibly on people (as above). Snarky political cartoons about currency manipulation represent China as a dragon in the same way that the United States is always shown as Uncle Sam or an eagle. Five clawed dragons symbolized imperial authority during the era of the emperors. Even in pre-dynastic China the dragon was a central symbol. Dragon statues have been discovered from the Yangshao culture (seven millennia ago).

A Chinese porcelain blue and white 'dragon' jar. Ming Dynasty, Jiajing period (1522-66). Photo Gibson Antiques
Although symbolic of power, strength, and good luck, Chinese dragons are also inextricably linked to water sources. In various myths, dragons represent control over oceans, rivers, lakes, and ponds. They are also linked with stormclouds, rainfall, floods, and rainbows. Some scholars and folklorists believe that the concept of dragons was originally based around actual aquatic animals like saltwater crocodiles (which ranged along the Chinese coast in ancient times), large snakes, and huge catfish.
Because they are composed of features from various real animals, Chinese Dragons perfectly suit the themes of this blog (which has a history of admiring chimerical creatures). Dragons have the body of a serpent, the claws of an eagle, the legs of a tiger, the whiskers of a catfish, the antlers of a deer and the scales of a fish. According to legend, back in the depths of time, the Yellow Emperor, a semi-divine magician, unified China and became the first emperor. The Yellow Emperor’s standard was a golden snake, but whenever he conquered another fiefdom he would add the features of their heraldic animal to his own. As the emperor’s army conquered more and more of China, the snake acquired antlers, talons, fish scales, and barbels.
People born in the year of the dragon are supposed to embody a mosaic of noble traits. Dragons are said to possess intelligence, energy, self assurance, passion, and courageousness. Allegedly water dragons combine these virtues with patience and understanding. I’m not sure how much faith I put in astrology, but I certainly hope this year combines some of these good things.
Gung hay fat choy!
Today features a short post concerning one of the strangest looking groups of catfish—which is truly saying something since the entire order of catfish appears rather odd. Brachyplatystoma is a genus of catfish from central South America which includes the largest catfish from that continent, Brachyplatystoma filamentosum, the so-called Goliath catfish or Piraiba, which is capable of reaching up to 3.6 metres (12 ft) in length and can weigh up to 200 kg (450 pounds). The Piraiba is hunted for food and sport both with hooks and with harpoons. All Brachyplatystoma catfish are swift sleek fish which live by hunting, but whereas the other species mostly hunt fish, the Piraiba has been known to eat primates. Specimens have been found with monkeys in their digestive system and attacks on humans are darkly rumored (although ichthyologists scoff that the mighty fish only scavenges the remains of such terrestrial animals).
The other Brachyplatystoma catfish species are smaller than the giant Brachyplatystoma filamentosum, but they all have the elongated flattened nose which characterizes the genus. One of these species, B. tigrinum, has especially lovely stripes. Although an unusual fish, it is caught in sufficient quantities to be available in specialty stores for home aquariums, where its long nose, pretty stripes, and interesting behavior fetch a premium price.
Tomorrow evening will feature the first game of the Detroit Red Wings season. This bold team of lovable* misfits will take to the ice against the hockey team from Ottawa–the name isn’t listed but they have some sort of classical footsoldier as a mascot so we’ll call them the Ottawa Hopelites. [maybe you should understand at least something about hockey before writing about it—ed.]
Anyway, even more exciting than the actual game between the Redwings and the Hopelites is the unofficial mascot of the Red Wings. In a post concerning mollusk mascots from around the world, alert reader Ryon Lancaster commented that we had overlooked the mascot for the Detroit Red Wings, a purple hockey-playing octopus named Al. Apparently the legend of Al started back in April 15, 1952, when fishmongers Pete and Jerry Cusimano decided to throw an octopus onto the ice at Olympia Stadium. The eight tentacles of the cephalopod were meant to mystically represent the eight victories required to win the Stanley Cup (the ice hockey championship trophy). Sure enough the magical mollusk brought the team to championship victory and ever since then fans have thrown deceased octopuses onto the ice at their home stadium—especially during playoff matches. As the Red Wings’ octopus tradition deepened, the purple mascot Al coalesced from fan art and from oral tradition. Al takes his name from a former building operations manager, Al Sobotka, who exhibited great elan whenever he removed octopuses from the ice. Apparently Sobotka had a special octopus twirling technique which whipped the fans up (albeit at the expense of distributing octopus particles onto the ice and the crowd).
As you might imagine, NHL officials have mixed feelings about this fan tradition. In 2008 hockey officials banned Al Sobotka’s octopus twirling and the duty of removing octopus corpses has fallen to linesmen and icegirls. The stadium itself added a large octopus prop during the 1995 playoffs. This huge octopus totem was ceremonially raised to introduce the team. Later on it was given glowing red eyes (which light up during goals), a number eight hockey jersey, and a broken tooth. Since it now requires winning 16 games to win the Stanley Cup, there are two Al the octopuses hanging above the ice at playoff time.
Naturally a number of other teams have tried to imitate the seafood throwing craze including San Jose, (where fans threw a shark), Boston (lobster), and Vancouver (Salmon). The only other team which appears to be establishing a continuing tradition of throwing deceased aquatic creatures on the ice is the Nashville Predators (why does Nashville have a hockey team?): predators fans have been known to throw large catfish onto the ice. A weary ice attendant, Jessica Hanley is reported to have said “’They are so gross. They’re huge, they’re heavy, they stink and they leave this slimy trail on the ice. But, hey, if it’s good for the team, I guess we can deal with it.”
*actual boldness and lovability may vary
I have written about pangassius catfish (tra, basa, shark catfish, and what-have-you) before in an article about the trade war caused by protectionist legislators responding to the quick growth and success of the Vietnamese catfish farming industry. However I am doubling back to address the quickly spreading pangassius catfish itself. The farm-raised fish are currently identical to the fish caught in the wild form, but I wonder if that will continue for much longer. Pangasius farming has spread from Vietnam, Laos, and Cambodia to Thailand, Nepal, Pakistan, India, Bangladesh, Myanmar, Indonesia, and, above all, China. I have a feeling that the pangassius catfish will escape in all of these places and establish itself as a successful invader. I also feel like the fish farmers will start pushing the captive fish into new shapes with selective breeding (although the catfish is already a near-perfect farm specimen with its ability to tolerate low Dissolve Oxygen, put on weight quickly, eat anything and survive in fishponds, concrete tanks, fish cages, or fish pens).
As we have seen, the gothic aesthetic is reborn every generation with a different dark twist. Today’s art world is no exception: there is a contemporary art movement calling itself “New Gothic Art” dedicated to creating works which emphasizes darkness and horror. Many of the artists involved are weak (particularly the self-obsessed photographers and the hackneyed photo-collagists) and the movement does not always live up to the harrowing tradition started by medieval painters–however I do admire the bio-apocalyptic future visions of Alexis Rockwell. Rockwell collaborates with scientists and ecologists to imagine a near future world where climate change and genetic engineering have radically reshaped the planet. To paint these visions of the post-anthropocene world he relies on bravura photo-realistic painting. His inspiration comes from the remarkable paintings of former geological eras gracing natural history museums. Indeed, Rockman’s work is evocative of the great natural history muralists Heinrich Harder, Charles Knight, and Bob Hynes. Like those science-inspired artists, Rockwell strives to paint organisms as a part of a total ecosystem. In doing so he produces immense and operatic landscape artworks. His 8-by-24-foot oil-on-wood mural, “Manifest Destiny” shows Brooklyn in 5004 AD, long after the ocean has reclaimed it. Familiar landmarks are subsumed by marine ecosystems. Catfish, triggerfish, and cormorants sweep through a landscape rich with life but lacking humans. His agricultural-themed painting “The Farm” shows a left to right progression of animals transforming from wild ancestors to today’s selectively bred farm animals to tomorrow’s transgenic mutants.
Rockman could easily be called a science fiction artist (if the art world did not look upon that term as a pejorative). Indeed if his work were not so preachy some of it could slip into the campy risibility of the comic book store! However Rockman does think big: he avoids the facile political demagoguery of most ecological art by painting with skill, passion, and above all, with ambiguity. There is something horrifying about the future farm animals but there is something beguiling too. The genetically modified creatures might be meant as a warning against future dystopia, but I personally am looking forward to the human organs grown from that transgenic pig! The picture isn’t a simple nay-saying parable. It captures some of the promise and excitement of biotech as well as the danger.
That same duality is found in Rockman’s paintings of current ecosystems. The tension between humankind and the natural world is as surely reflected in the dramatic catfish-centric perspective of the painting “Fishing” as it is in a vision of the post-human future such as “Manifest Destiny”. Likewise the lugubrious boat wrecks surrounded by sealife in “Hudson Estuary” speak to human society’s strange mixture of strength and weakness. Humankind is a strange problematic part of the natural world, but we are still part of it.
Is Rockman’s art gothic? I believe so—in the same way that Ray Bradbury or George Orwell are gothic. When he is at his best Alexis Rockman manages to convey a palpable sense of the sadness of living systems which burgeon and then ineluctably fail. There is a similarity between the catfish contemplating the hook and the farmer contemplating biotech. I notice that a catfish nearly identical to the beleaguered specimen from “Fishing” is lingering in the future underworld of “Manifest Destiny”. Life endures and adapts even as the world changes. Perhaps humankind’s tragic grandeur is not incompatible with nature, but we will need to grow quickly!
I wanted to add one final post to my armor posts of last week. Although I posted about chitons, Chinese helmets, glyptodons, gothic armor, and Athena, I left out a post about catfish. Ferrebeekeeper has already featured one post about the armored catfish of the Loricariidae family (an extremely large and diverse family of suckermouth catfish from South America), however there is a second different family of armored catfish, the Callichthyidae, which are characterized by two rows of bony plates (or scutes) running the length of their body. The Callichthyidae are comprised of 9 genera of catfish (and taxonomists will probably discover a few more in the future) including the Corydoras genus, which includes some of the most endearing and popular tropical aquarium fish.
Callichthyidae literally means “beautiful fish” in Greek and the endearing little fish are common in virtually every freshwater habitat throughout South America. Some species of the little armored catfish are able to flourish in stagnant or swampy water by a unique physiological mechanism. The fish gulp air into their intestines where the oxygen permeates into the blood vessels. Through this fake lung they are able to survive conditions which could kill other fish and even travel overland for brief distances (although they do look rather comic expelling the air dorsally in silvery bubbles).
A distinctive (and extremely eponymous!) example of the Callichthyidae is Callichthys callichthys an eight inch drab catfish which ranges from Trinidad to Patagonia—an extremely large range for a little fish. The male of this species is a bubble nester who builds a large nest out of plant parts and bubbles formed from air and mouth secretions. Until he is perfectly satisfied with his construction he chases the female away. Only when his nest is perfect does he let her enter: then both partners work together to defend their offspring within the little floating home.
My posts about animals are based on personal favorites but I have also tried to choose categories of animals in a manner which reveals something larger about zoology and taxonomy. You have probably noticed that my featured creatures are not arbitrary but are arranged taxonomically according to Linnaean hierarchy in the manner which follows:
- Phlylum: Mollusca
- Class: Mammalia (mammals)
- Order: Siluriformes (catfish)
- Suborder: Serpentes (serpents)
- Genus: Meleagris (turkeys)
I have not written about a family yet because I was leaving myself some room for the future (feel free to make suggestions). Additionally, I have only written glancingly of kingdoms or domains because those overarching categories are far too large and baffling for me to deal with meaningfully (although I would probably choose the domain “bacteria” if I had limitless time, resources and a great deal more knowledge and intelligence). The missing bottom category of species is always applicable to whatever the featured species of the day is (or, in a pinch, to Homo sapiens, the dark meddlesome, magnificent species behind history, art, politics and other non-animal, non-plant topics over there in the category cloud).
Not only have I have chased the representative members of my chosen taxonomic categories through art, mythology, and anecdote, I have also tried to write as cogently as I am able about their behavior, biology, and morphology (biologists and morphologists are no doubt laughing into their hands right now, but, hey, you guys are not always the most compelling or comprehensible writers, so give me a break). Also, I understand that traditional hierarchy is coming to be re-assessed in light of new genetic evidence and the innovative ideas of cladistics: maybe my categories were already hidebound to start.
I mention all of this because I am beginning to feel pinched by some of my categories. I could write about a different obscure catfish, or dig up a new catfish recipe but is that really what people want? I still have a few more turkey stories to write and no doubt more information will come to me (probably around Thanksgiving), but I am running out of things to say about my favorite bird. Should I disloyally choose a new genus to pursue. Do you want to hear more about tiny obscure catfish? I could drop it all and move to entirely new topics, but I don’t feel right about that yet. Maybe some reorganization is needed when I launch the redesigned version of Ferrebeekeeper in the near future.
Any insight or feedback would be appreciated. I’m sorry for the informal first person tone of this post but I am traveling today and don’t have time to research an appropriate column. Also catfish and turkey fans should not give up yet, I still have a handful of ideas left about those magnificent creatures (not to mention a stirring Siluriforme overview).
Thanks.
Last week, I wrote about the great builders of the animal world, the beavers. But of course all sorts of other creatures build things. The Eel tailed catfish (Tandanus tandanus) lives in the Murray-Darling river basin of Eastern Australia where the creatures’ nest-building habits are costing them dearly.
The eel-tailed catfish is from the family Plotosidae (in fact it is a close relative of the striped eel catfish) and like other family members its most distinctive feature is a continuous fin margin surrounding the posterior half of their bodies—aka an eel tail! These catfish prefer to live on the gravel or sand at the bottom of lakes or slow-moving rivers. They eat crayfish, yabbies’, worms, mollusks, insect larva, and other smaller fish.
A week or two before spawning, pairs of eel-tailed catfish build nests for their eggs. The fish construct these torus-shaped structures out of sand and pebbles and, once the female lays the eggs, one or both parents stay with the nest to guard it and to aerate the eggs until they hatch. Unfortunately, because of drought and agriculture, the Murray basin is rapidly drying out and silting up. As the pebbles and coarse sands which the fish use for nests are smothered with slimy silt, the species has been declining. Additionally, eel-tailed catfish are being out-competed by invasive carp which were introduced in a hare-brained aquiculture scheme.







































